"Transformations" by Thomas Hardy
Portion of this yew
Is a man my grandsire knew.
Bosomed here at its foot,
This branch may be his wife:
A ruddy human life
Now turned to a green shoot.
These grasses must be made
Of her who often prayed,
Last century, for repose;
And the fair girl long ago,
Whom I often tried to know,
May be entering this rose.
So, they are not underground,
But as nerves and veins abound
In the growths of upper air.
And they feel the sun and rain,
And the energy again
That made them what they were!
Is a man my grandsire knew.
Bosomed here at its foot,
This branch may be his wife:
A ruddy human life
Now turned to a green shoot.
These grasses must be made
Of her who often prayed,
Last century, for repose;
And the fair girl long ago,
Whom I often tried to know,
May be entering this rose.
So, they are not underground,
But as nerves and veins abound
In the growths of upper air.
And they feel the sun and rain,
And the energy again
That made them what they were!
Well: here’s a cheery
topic for a sunny Sunday on the very cusp of a southern hemisphere spring. That poem is one I usually reserve for Easter, as it is really not about death,
but re-birth. It also confirms
something I’ve always known about the English: they are pagans at heart. Or
perhaps more charitably, “eco-spiritualists”.
Though set in a country churchyard,
Hardy’s poem offers an essentially materialist view of immortality: the stuff
that was you becomes the raw material for new life. Matter doesn’t disappear,
it merely transforms. Of course, you don’t experience this new life in any
direct sense: you are gone. The trees and grass and flowers you become,
while living, aren’t conscious, at least not in the way we are at this living
moment. So this materialist re-birth both is and isn’t you, and when we think
about it, such a transformation is probably rather cold comfort. Knowing our matter transforms does not really quiet
what we really fear: the end of the ‘selves’ we are right now.
as nice a place as any to put your bits |
Hardy’s lovely materialist
view is what we can know for sure will
happen to us After Life. But beyond that…? Call it what you will,
consciousness, soul, spirit, awareness, our essence, ‘who we are’—what happens
to that after our lives are over?
Answering this is arguably all religions’ raison d’etre. Hobbes wrote that all religions derive from
this fear, and the subsequent field of psychology tends to agree. The Abrahamic
faiths offer the consolation that you never
do lose the self--we never die in the sense of oblivion. Instead, we are assessed according to how we lived this
life, and then spend all eternity enjoying the reward or paying the debt. Death
as a cosmic settling of the bill is thought to be one of the reasons many
people have turned from these traditions: the mythology of heaven and hell
became literalized and rather than merely being figurative inducements to live
a good life, they became a literal celestial architecture--that failed to be
observable once we had telescopes. Like discovering the elaborate lie of Santa
Claus, post-enlightenment western culture has never really forgiven these
religions for ‘lying’ to us so elaborately about our mortality.
It’s not just western
religions—death’s not actually fatal for Buddhists either. Likewise for the
Buddhist, there is no death for the simple reason there is no ‘self’. All our
memories, desire, anxieties, attachments, and such that make up our ‘self’ is
but a persuasive illusion that distracts us from the reality of pure collective
consciousness—our “Buddha nature”—which we share with all sentient beings. This
true nature is unborn and therefore undying, and all Buddhist practice involves
detachment from the illusion of ‘self’. Our egos don’t like this and fight hard
against the practices, which is why Buddhist practices are hard. But the aim of
all Buddhist practice is to annihilate that ego. Since there’s no self there, no one perishes, and thus the enlightened can handle death with equanimity.
A Buddhist parable of how
the practice prepares one for death involves a monk who kept a teacup by his
bed. When he went to bed each night, he emptied it; when he woke each day, he
righted it. When a puzzled novice asked him about it, the monk explained that
emptying the cup represented his acquiescence to his own mortality—it reminded
him that since he had done all the things he had to do that day, he was ready
for death to come to him. Each morning when he righted the cup, it means he was
ready to accept the gift of a new day. Taking it “one day at a time”, as they
say.
The Buddhist approach
accords with that of the Greek and Roman stoic philosophers who remind us that it is non-sensical to fear death.
As it either a dreamless sleep or a new kind of life. Either way, nothing to
dread. Lucretius in his tract On The Nature of Things says that our
self after life is in exactly the same state as it was BEFORE life. We have no
anxiety, no fear about the time before we were born, so it makes no sense to
have anxiety and fear about the time after our lives. Stoics overcome the fear
by making death nothing.
And yet, excellent despite
such excellent advice from east and west, we human quaking sacks of
unenlightened meat do not tend to live with any equanimity about dying. We
spend much of our lives in what Sartre called a counterfeit immortality—lying
to ourselves in effect—believing that this state of being we’re in will go on
forever, and so we spend our lives evading and escaping death by inventing
fanciful beliefs in an afterlife, cryogenic freezing, or the idea that if we’re
lucky we can be continually renewed physically through medicine, and other such
science fictions. We get fooled by lasting a long time, mistaking that for
permanence. We never think it will happen to us. Like a careful driver who’s
never had an accident, you begin to think you’re invincible rather than simply
fortunate. The death of others may cause us grief, we may fantasize about our
work living after us, or our genes travelling through time in our children, but
our own death for most of us remains a conceptual impossibility because the
state of being dead cannot be imagined by a being who is not.
Oblivion is more total
than we can ever bring ourselves to even try to imagine. Certain.
Indeterminate. Invincible. And entirely personal—the meaning of your death
can’t be understood through the death of others. It’s yours alone.
A religion that can’t offer
some way of coping with what happens after life isn’t going to be very popular.
There’s more cash flow in peddling fantasy, and one of the functions of
religion is the social utility of keeping everyone calm, and diverting them
from the fact that they are all on a kind of slow fire. I’ve always found far more
consolation for mortality in poetry than in religion; if the poet can face it
and even make beauty of it, at least I know I’m not alone in my fears and
longings. Take this poem by Philip Larkin. “Aubade”. (Literature geek alert: An aubade is a morning
love song about lovers separating at dawn).
I
work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what's really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
--The good not done, the love not given, time
Torn off unused--
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.
This is a special way of being afraid
No trick dispels. Religion used to try,
That vast, moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear - no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anasthetic from which none come round.
And so it stays just on the edge of vision,
A small, unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can't escape,
Yet can't accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what's really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
--The good not done, the love not given, time
Torn off unused--
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.
This is a special way of being afraid
No trick dispels. Religion used to try,
That vast, moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear - no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anasthetic from which none come round.
And so it stays just on the edge of vision,
A small, unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can't escape,
Yet can't accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
That is without question
the bravest thing I’ve ever read on the subject. Not a shred of sentiment. Not
a flicker of the man flinching. Larkin faces the horrible thing, and somehow
his facing it, and his way of saying it, makes the thing less scary. He has to
work that day and so gets up and does. As if to say—“Miles to go yet, before I
sleep.”
We in the 21st century have created, or at
least subscribed to, a materialist view of our life, and yet many
persist in imagining their after life to be immaterial but continuing.
We are very confused on the subject. Like Hardy in the poem, I too used
imagine the bits that were me becoming trees and grass and flowers, and so into
insects and birds, and mist. And rain. Comforted me to know I would still be at
home in this lovely blue-green world and more intimately part of its workings,
nourishing in my After Life more broadly and deeply than ever I would have been
able to in my Before Life. I even planned to be buried in a simple
biodegradable box with a Maryland
white pine planted over it, the better to haste the material bits on their way
into that service of unfolding life.
And the fantasy didn’t end
there, for I also imagined my collected works—this address included—being
passed down to my children and theirs and so on down the genealogical line, so
the best of my spirit was preserved like essential oil. And that essence would go on in all the people I had taught or
touched in my life or who had loved me and I them, and so I would remain a part
of them in some obscure, though lasting, way. And oh, the funeral I imagined!
The serried ranks of mourners from near and far and past and present having the
occasion to put into words what they thought was best in me, that best of me
they would cherish and hold fast in their memory. And a broken voiced
granddaughter reading by the upturned clods of soil, from a poet, again--
Do not stand at my
grave and weep,
I am not there; I
do not sleep.
I am a thousand
winds that blow,
I am the diamond
glints on snow,
I am the sun on
ripened grain,
I am the gentle
autumn rain.
When you awaken in
the morning’s hush
I am the swift
uplifting rush
Of quiet birds in
circling flight.
I am the soft
star-shine at night.
Do not stand at my
grave and cry,
I am not there; I
did not die.
Like Woody Allen I want to
achieve immortality by not actually dying. And embarrassing as my fantasy is to
relate, we all harbour similar thoughts. But none of that fantasy is actually about dying—it’s about living forever.
Material immortality
related by that poet and by Hardy is perhaps life’s final and most enduring
vanity. Because if you think about it, all the mourners will pass away too and
everyone that’s ever even heard of me will too, until there will one day be no
one left who knew or even heard of me.
And the tree they plant above me will one day turn to dust and all the other
trees it seeds likewise. The insects and microbes that fed on it and them and
me will likewise pass away and their offspring, as well as the birds that fed
on them and THEIR offspring and so on ad
ridiculum. And before maybe three or four generations it will be as if I
never existed, and people will think no more of me than they do of Johann
Schmidt born 1662 died 1741 in Augsburg, Germany. And in the more distant
future we even know that all this lovely blue-green world will be ripped to
shreds when our sun expands as it must and fling all these bits back to the
stars from whence they came. Oblivion so total mocks the vanity of the
memoirist, our hopes that WE will go on forever. Which is why we do NOT think
about it much. And maybe we SHOULD, because that material view is not the whole
story…
Hard materialism is a just
philosophical assumption like any other, an assumption that there is only matter, there is NOT more in heaven
and earth than are dreamt of in any of our philosophies. To the hard
materialist, the brain is just a 1.3 kg bag of water, carbohydrates and fat,
subtly organized through evolution to provide us with the useful illusions of
thought and freedom and will. And yet
the depth and complexity of our subjective experience of our ‘selves’—our
mind’s presence--feels very real, and not an illusion, despite what the
Buddhists say. And then there are the
reported after-death experiences—you know, the light at the end of the tunnel, and
the loved ones greeting you. Are these clearly perceived experiences a reality
or just self-medicating symptoms of a dying brain? It very much depends on the
view you choose to take. Neuroscientist David Eagleman puts this well
when he says that in the 21st century “we know way too much to
commit to a particular religious story…they’re too small-thinking to possibly
be correct….but at the other end of the spectrum…we know too LITTLE about
what’s going on in the cosmos to commit to strict [materialism]. Uncertainty
may be an uncomfortable position, but certainty is an absurd position.” In an
infinite universe, anything’s possible. Even angels and harps, I guess.
Which is to say that the
man in the pulpit (me) who is expected to offer a religion’s consolation for our
mortality has only this to offer: “Err…search me!” No, that’s not quite true. Though
I do not believe in After Life, life after death, I do believe in Life Before
death. And the first step in creating your own consoling attitude to your own death
is to Appreciate your LIFE. Whatever that looks like to you---whatever gets you
out of bed in the morning with a song in your heart. Do THAT and do it to
death, just as long as it hurts no sentient being. You know what that is, too,
and if you don’t, best you find it. Start today.
The awareness of our
impermanence can easily encourage you to live more in each moment. Don’t waste
the moment ruminating on the PAST—it’s gone and you can’t alter it. Don’t waste
the moment fretting about the future—it’s uncertain and you can’t count on it. All
you have is NOW. Learn to Love being alive right now, and you’ll minimize
regret when your moments run out. And as its spring, you can take your cue from
the Mayflies that are now emerging in the rising Australian spring. Proper
Greek name “Ephemeroptera”
meaning ‘winged things lasting only a day’. That’s us—winged things lasting only a day. One day—but how gaily the
Mayflies live that day. And yes, here’s a snatch of poetry about them you may want to hang onto, from the poem “Mayfly”
by Louis MacNeice.
Barometer of my moods today, mayfly,
Up and down one among a million,
One only day of May alive beneath the sun...
They
never have the chance, but what of time they have
They
stretch out taut and thin and ringing clear;
So we,
whose strand of life is not much more,
Let us
too make our time elastic and
Inconsequently
dance above the dazzling wave.
No comments:
Post a Comment